Wildflowers in Albion Basin, Utah - My Vision

I photographed these high-mountain meadows (at about 9,500 feet) of wildflowers early this morning with my new iPhone 3Gs! The new iPhone is a great little 3MP camera, wire-less phone, and is my mobile connection to the Internet (my 21MP Canon 5D Mark II images will follow when I get time to process them ;-). The red flowers are Indian Paintbrush (Castilleja rhexifolia), and the prominent yellow flower you see in the picture below is called the "Little Sunflower" (Helianthella uniflora).

This meadow is in Albion Basin of the Wasatch-Cache National Forest, in Utah (Albion Basin is situated just above the Alta and Snowbird ski resorts, in the Wasatch Mountains).


We've had a lot of rain this spring, and this has been an unusually lush and verdant summer for wildflowers in the high mountains. I can't wait to get up there again. The temperatures are a cool 65 degrees (F.) in the shade, and about 80 degrees in the sun -- perfect weather!

By the way, one of the reasons people love Salt Lake City, is because of areas like this: "...one of Salt Lake City’s recreational havens, a multi-seasonal destination offering some of the best skiing, hiking, bike riding, tram rides, camping, and wildlife viewing in Utah – all within 15 miles of the city center." (Source: U.S. Forest Service Web site.)

You can also view my Flickr Photostream to see more of "My Vision."

Gypsy Fortune Teller - My Vision

Linda and I had a lot of fun creating this photo of the Gypsy fortune-teller with crystal ball and reading cards. Linda is my wife and the stylist for this shot. She choose all the fabrics and gathered all the props for this image, to help create the illusion of coming into a fortune-teller's shop and receiving a psychic reading.

(Click on any image for a larger view.)

The slightly blue halo emanating from the crystal ball is produced by a Nikon #1 Soft (flare) filter. This image was scanned from film, and there is virtually no Photoshop work done to this photo.

Here is the studio lighting (all strobe) set-up for the Gypsy fortune teller photo (that's Linda, sitting just to the left of where the model had been sitting):

1. Main light - a 48" x 48" soft-box (slightly below the model and pointing up to simulate the lighting coming underneath from the crystal ball.
2. Fill light - 36" x 36" soft box.
3. A projection spotlight to illuminate the eyes of the Gypsy model.
4. The crystal ball had a light coming up through a hole in the table.
5. Camera position through that narrow slit (made by two scrims that keep light from spilling onto the foreground -- the table and cards). There are three other scrims in this set-up, and they are covered with black velvet cloth.
6. Not shown, are lights behind the draped fabric backdrops, positioned to shine through the fabric.

Sidebar: Some time ago, a talent agency asked me to photograph some of their clients. They mainly wanted "head shots" for their talent books. Although the money they were offering to pay me wasn't that good, I saw it as an opportunity to experiment with people who were willing to try new things, and built portfolio images for both of us. Since some of these people had backgrounds in theater, they also had access to some interesting wardrobe pieces, which can really help liven a portrait. "Trading" talent has been a tool I've used over the years to increase my experience and build my photographic reputation. This image is part of a series that has resulted from these talent trades.

You can also view my "Most Interesting" images on Flickr to see more of "My Vision".

Sophisticated, Surprised Old Lady - My Vision

With a little coaching, Lois Bartel, is a great character actress. You can almost hear her say with surprise and indignation, "Why, I never heard of such nonsense!" Don't you love all the props and styling she brought to this shoot -- the spectacles, sequined dress, feathered wrap and gloves? She's a jewel.

Sidebar: Some time ago, a talent agency asked me to photograph some of their clients. They mainly wanted "head shots" for their talent books. Although the money they were offering to pay me wasn't that good, I saw it as an opportunity to experiment with people who were willing to try new things, and built portfolio images for both of us. Since some of these people had backgrounds in theater, they also had access to some interesting wardrobe pieces, which can really help liven a portrait. "Trading" talent has been a tool I've used over the years to increase my experience and build my photographic reputation. This image is part of a series that has resulted from these talent trades.

(Click on image for a larger view.)

You can also view my Flickr Photostream to see more of "My Vision."

Ballet Legs Perspective - My Vision

This is a wide-angle photo of a woman's legs - with her upper body disappearing from view through the principle of diminishing perspective.

Below, is the studio set-up for this image. Photography was done with a Mamiya RB67 film camera, using a 50mm wide angle lens (similar to a 24mm on a full-frame 35mm SLR camera).

(Click on any image for a larger view.)


No fancy Photoshop work was used here, just straight photography and good lighting.

Sidebar: Some time ago, a talent agency asked me to photograph some of their clients. They mainly wanted "head shots" for their talent books. Although the money they were offering to pay me wasn't that good, I saw it as an opportunity to experiment with people who were willing to try new things, and built portfolio images for both of us. Since some of these people had backgrounds in theater, they also had access to some interesting wardrobe pieces, which can really help liven a portrait. "Trading" talent has been a tool I've used over the years to increase my experience and build my photographic reputation. This image is part of a series that has resulted from these talent trades. (Debbie Cox was the model for this shot.)

You can also view my "Most Interesting" images on Flickr to see more of "My Vision".

Slapstick, Laughing Woman - My Vision

(Click on image for a larger view.)

One of my photographic "tools" is trading talent. Let me explain...

Some time ago, a talent agency asked me to photograph some of their clients. They mainly wanted "head shots" for their talent books. Although the money they were offering to pay me wasn't that good, I saw it as an opportunity to experiment with people who were willing to try new things, and built portfolio images for both of us.

Since some of these people had backgrounds in theater, they also had access to some interesting wardrobe pieces, which can really help liven a portrait.

"Trading" talent has been a tool I've used over the years to increase my experience and build my photographic reputation. In future blogs I hope to showcase a series of the images that have resulted from these talent trades.

You can also view my Flickr Photostream to see more of "My Vision."